The first time I saw -Zombie- I was maybe ten or eleven, sneaking downstairs when I should have been sleeping. My older brother, the cool one, had it playing on a massive, boxy TV. I remember the sickly green light spilling into the hallway, and this indescribable mix of excitement and terror gripping my guts as those undead ghouls stumbled around, ripping people apart. I’d never seen anything like it before, all the guts, zombies, chainsaws and screaming. The gore was shocking, of course, but there was also this weird, twisted sense of artistry, a cinematic ballet of blood and mayhem that completely mesmerized me. That night, sleep was a battlefield, every creak in the house turning into a shuffling zombie footstep.
Years later, I was at a convention, a sea of like-minded weirdos all proudly displaying their love for the bizarre and the brutal. There was a vendor selling barfing aliens plushies, which, honestly, seemed pretty tame compared to some of the stuff I’d witnessed. Then I came across a booth dedicated to the work of Lucio Fulci – a real master of the genre, the man who brought us -Zombie- and a whole host of other gloriously gory films. They were selling vintage posters and some limited-edition art prints, one of which featured a particular gruesome scene. I still regret not buying it at the time, but, hey, priorities. Food always wins, right?
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I ended up getting a cannibal carnage themed T-shirt at a different booth, a design depicting a group of rather menacing-looking figures, feasting on, well, whatever they could get their hands on, along with aliens. It was the perfect blend of the utterly disgusting and the darkly humorous. The fabric was a bit scratchy, honestly, but the graphic was so gloriously over the top that I wore it anyway. It was a badge of honor, a statement of solidarity with the fans of all things extreme and unforgettable. My mom wasn’t impressed, though, and it’s now relegated to my “weekend” drawer.

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I remember this one time, at a local cinema, they were showing a marathon of these classic films. The whole theater was filled with die-hard fans. The collective energy was unbelievable – cheers, groans, and the occasional startled yelp. Someone even brought a real chainsaw, which they weren’t allowed to use, thankfully. It was a reminder that we aren’t alone in our fascination, and that there’s a strong, resilient community built on shared appreciation for the unsettling, the unusual, and the downright shocking.
And honestly, when you’ve had a truly awful day, there’s nothing quite like a dose of cinematic, gory fun to remind you that things could always be worse. It’s a weird kind of therapy, a cathartic release, a moment to forget your own troubles, and revel in the glorious, bloody chaos of the fantastic. It’s what I love about this strange little corner of the world, this world of monsters, mayhem, and madness.



